Accattone #2 draws on several themes from the first issue – material shifts, models and model-like buildings, the role of found images in the design process – to address specific methods and approaches which challenge established aesthetic codes: bricolage, minor architecture, personal narratives and collections. With documents by Aurélien Froment, Koenraad Dedobbeleer, Baukunst, Manuel Montenegro, René Heyvaert, Jean Renaudie, Studio Tom Emerson at ETH, 6a architects, Good Times & Nocturnal News, Eric Lapierre, Brandlhuber+, Erica Overmeer, Martinez Barat Lafore.

Accattone #3 is a single content magazine specially produced for The Corner Show exhibition in Antwerp. Both an autonomous object and a continuation of Accattone #2, it consists in a 96x64 cm poster folded into an 8-page publication in which Martinez Barat Lafore present a collection of 137 images and quotations inherent to their conceptual and built work.

Accattone #4 draws on the idea of collection to explore mythical methods and visual ethnographies in contemporary practices, with an interest in the compression, into a single artefact, of long periods of history, power relations, memories and everyday experience. It features anthropology museums, underground data centres and minor collections performed in private houses, double-sided masks and architectural strata in a floor slab or a facade, totemic mock-ups on a 1:1 scale and metaphors in the desert. With Frida Escobedo, Kristien Daem, Ištvan Išt Huzjan, Pierre Leguillon, 51N4E, Stefano Graziani, Camille Henrot, Philippe Braquenier, XDGA, Michel Desvigne, CAB, Bruther, Peter Märkli, Cédric Libert, Freek Persyn.

Accattone #5 is based entirely on the work of Armin Linke. It explores photography in relation to the major architecture of public and private institutions: the infrastructure of the Roman Empire, neoclassical Athens, the United Nations headquarters, neoliberal corporate environments and the fragile European institutions in Brussels. Photography can challenge the power of such representations by bringing out their inherent glitches, small cracks and everyday ambiguities. With comments and essays by Aristide Antonas, Ido Avissar and Elina Axioti, and a conversation between Armin Linke and Accattone.

Accattone #6 explores a renewed relationship with land, matter, ‘nature’ and localities against the backdrop of the new climate regime. With Pier Vittorio Aureli & Maria Shéhérazade Giudici, Sammy Baloji & Filip De Boeck, Sandra Bartoli & Silvan Linden (AG), Club Donny, Annee Grøtte Viken, Go Hasegawa, Junya Ishigami + associates, Eva Le Roi, Christoph Meier Ute Müller Robert Schwarz & Lukas Stopczynski, Quentin Nicolaï, Kayoko Ota, Piet Oudolf & Thomas Piper, Plant en Houtgoed, Christopher Roth & 431, Sanaa, Sitterwerk Foundation, UR Peaks Altitude 35 & Zefco, Galaad Van Daele.

Accattone #7 deals with open-air domesticity and the diplomatic hospitality of land. It presents intellectual and architectural projects, both contemporary and historical, for alternative modes of living. With Costantino Nivola, SNCDA et al. at the Venice Architecture Biennale, Aglaia Konrad, Alice Paris on De Smet Vermeulen, Osamu Ishiyama and Kenji Kawai, TEN, Wim Cuyvers, moilesautresart, DSCTHK, Piovenefabi, Emmanuelle Chiappone Piriou on Superstudio, Carlo Goncalves on Smiljan Radic, The Museum of Mistakes on Arakawa & Gins, and Zuber panoramic wallpapers.

Accattone #8 addresses matters of construction in relation to time, use, change and technical knowledge against the backdrop of the ‘negative commons’ inherited from the productivist society of the past century – ‘zombie’ habits, desires, products and processes that our contemporary condition can no longer sustain, yet cannot help but reproduce. With Clément Hébert, Élodie Degavre, all the 50+ participants to the High Tech Low Tech exhibition at EPFL Lausanne, DSCTHK (Jérôme André & Thibaut Blondiau), Oliver Burch, Kosmos, Fuminori Nousaku & Mio Tsuneyama, Antoine Angeard & Lise Duchamp, Lars Lerup, Pierre Leguillon.